Film Festivals Past

Last year, Stephanie and I happened to be in Tucson at the same time as the Arizona International Film Festival (AZIFF) and were able to squeeze in a viewing of the film Given but nothing else. We decided to return to see more films this year.

It was the first film festival I’d been to in a long time. During college, I studied Judaism and got a chance to attend several Jewish film festivals in the Phoenix area.

What I came to appreciate about many of these (usually foreign) films was how they challenged the viewer in ways that I was not used to seeing in American movies. Even the comedies had existential bite.

For example, one English comedy was about an adopted man raised in a Jewish household, who finds out that his biological father is an English pig farmer. While it had its funny moments, it also had some deep reflections on identity.

Present

As I sat in the theater watching films for the AZIFF this year, I felt my brain being stimulated in much the same way.

The first screening I saw was a group of short documentaries on Sunday, April 22. Not only were the films entertaining, there was an intentionality and originality to them that I seldom find in mainstream cinema.

Short documentary is an incredible medium for communicating.

No matter how good a film is, I’ll often get restless about an hour into it, so a short documentary is perfect.

Cor de Pele

Cor de Pele was one of the standouts for me. This 16-minute film about Kauan, a boy born with albinism in Brazil, encapsulates what documentaries can do so well: make the viewer relate to someone (or something) that is far outside your own experience. The breathtaking views of his Brazilian city transport me. But the stories about how Kauan is both sweet and “annoying” bring me back, humorously reminding me how boys can act around the world, regardless of genes or nationality.

 

Lost & Found

One of my favorite feature films was Lost & Found. It’s told as a series of interconnecting stories centered around a train station in Ireland. The entertaining and highly original film is laugh-out-loud-funny at points and heartachingly moving at others.

 

Sin Cielo

More sobering – and timely – was the short film Sin Cielo from writer and director J.S. Maarten. The emotional and cultural immersion into the terror that women have experienced during the drug wars in Mexico was relentless. The fate of one character was frustratingly ambiguous at the end. In this way, it was true to life.

While not necessarily political, the film explores the consequences of political decisions made at the highest levels. It deserves a wide release.

 

Future

If you’ve never been to a film festival before, I think the AZIFF would be a great introduction.

For those of us who live in Arizona, it has the advantage of being close! Yet, don’t let its proximity fool you into underestimating the type of talent it attracts. Filmmakers and others travel from all over the globe to attend. We met film artists from Canada, England, Ireland, and South Korea.

At AZIFF, there’s a surprising amount of light (yet thoughtful) films, in addition to the more intense and serious ones you might associate with independent cinema.

Also, the hosts were great. Many of the staff at The Screening Room are volunteers. They do it for the love of the art of cinema.

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Photos 5-7 via their respective films. Other photos by Phillip.

Stephanie was a guest of Arizona International Film Festival.