10 hours to sleep, eat, and sightsee: Indianapolis 2nd lap

Lobby of Fairfield Inn

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The Marriott shuttle we had almost missed drove its very important flight crew passengers to the Courtyard Indianapolis Airport hotel and then took us down the street to the Fairfield Inn & Suites.

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The lobby had a trendy little sitting area off to one side and a front desk with a rad goldfish cracker dispenser. When we checked in, the night clerk told us they’d upgraded our room. Nice but unnecessary, since we really just needed to crash. I was too tired by that time to worry about the details, though.

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Our unnecessarily nice room had the same type of bold-patterned decor as the lobby. Beyond the coffee shelf, couch, and desk was what you’re really looking for after a long day of travel stuff: a comfortable bed.

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In the morning (the actual morning, not our 2am check-in time, which only counts as “morning” on a technicality), we got our receipt and realized they charged us extra for the unrequested upgrade. Phillip was able to get it all sorted out with the goldfish desk. So it wasn’t a big deal in an otherwise good stay. I only bring it up to say this is why I double check everything.

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Breakfast with Champions

Apparently, flight crews stay at the Courtyard; Little Leaguers stay at the Fairfield. Across the lobby from the goldfish desk was the breakfast buffet, and a few tables overflowing with 12-year-old boys in light blue baseball uniforms.

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A couple of them ended up joining our table. They were in town for a tournament. We asked one of the boys what his goal was for the game that day, while he picked at the waffle his mom had stopped by to cut for him. He matter-of-factly answered, “hit three home runs.” His friend said the same. Gotta love big dreamers.

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Squaring Up

While I finished getting ready, Phillip took the shuttle back to the airport to pick up our rental car. We managed to get loaded up and checked out with an hour or so to kill. Which is basically how we ended up in Fountain Square. It looked interesting, was on the way, and it happened to be the day of the annual Fountain Square Music Festival.

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Neighborhoods have their own circadian rhythms. This one felt like it was still yawning and stretching and blinking in the sunlight. With the exception of a couple restaurants, most of the square was closed when we were there. The historic theater stood quiet with a lone employee hosing off the front sidewalk. The festival hadn’t started yet, and a handful of people were hanging banners and setting up. The place would probably be hopping in a couple of hours.

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In the meantime, we had a pleasant walk among the historic buildings with vintagey signs and street art sprinkled in, listening to one of the bands warming up over the rhythmic splash of the fountain before getting back in the car and heading for Anderson.

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– More info –

Fountain Square:

Our Indiana (Heartlandiana) trip

DIY Quilling Tool

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Sometimes you have to get creative to get creative. Like with our monthly CraftHack meetups – they’re free, so that pushes us to be resourceful when it comes to providing materials and supplies.

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Robin Corey volunteered to do last month’s demo on paper quilling, a technique that involves winding strips of paper around a tool to get spiral shapes.

While you can buy a quilling tool for around 8 bucks, ordering 20 for a free class would get pretty pricey.

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She found a super solution buried in her Pinterest boards: make your own from a cork and a tapestry needle. Basically, stick the needle in the center of the cork and glue it, cut off the top with wire cutters, file any sharp edges, and you have a super inexpensive tool that makes winding strips of paper for quilling easy.

She made about 20 of them for less than the cost of buying just one, and we all got to take one home for future projects.

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PS If you live in Phoenix and like to make stuff, make sure you’re planning to come to Craft Camp this Saturday!

Microblog Mondays: Write in your own space

Our Indy Race (1st Lap)

It was just after 1am, and we were passing Indy cars like they were standing still.

Because they were. Phillip and I, on the other hand, were racing through the Indianapolis International Airport, dodging puzzled, groggy passengers.

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When we were still waiting to get off the plane, I had called our hotel’s shuttle dispatch. They let me know we could take the one that was already en route – if we could make it to the stop in time. If not, it wouldn’t wait for us, because they were also picking up a flight crew, and we’d have to wait around for the 2am pickup.

Sitting halfway back on a plane with an aisle clogged with impatient passengers, we had just under 15 minutes, directions I’d already forgotten, and only carryon luggage. We decided to go for it.

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So we ended up sprinting through the airport, not towards a flight but away from one, relying on ambiguous signage to guide us. Finally, we spotted the words “ground transportation” with an arrow pointing towards exterior doors.

We burst outside with a few minutes to spare, only to be greeted by air thick with humidy and mosquitoes, an empty curb, and a vague sense that we were not in the right place.

I redialed the shuttle dispatch. The same woman patiently explained again where we were actually supposed to be.

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We rushed downstairs, out the door and across the street, and finally found our stop with the aforementioned flight crew sitting on nearby benches, waiting for the shuttle.

While I was trying to nonchalantly catch my breath in the heavy air, I realized this could possibly be the crew from our flight. In other words, they may have just calmly gotten off our plane after us and everyone else, strolled through the terminal, and arrived here sooner. Which would mean we could have done the same without all the panic, confusion, and mosquitoes.

But maybe it wasn’t them. In fact, let’s just say it wasn’t.

I didn’t look too closely.

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Either way, we all made it onto the shuttle. The woman from dispatch even called the driver to check on us.

“Yep.” she replied, turning onto the ramp that lead from the airport to the freeway. “Everyone’s here.”

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– More info –

Watch for at the Indianapolis Airport:

A Mural for the Missing

Colibri mural by Mataruda

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A community art project that was too controversial for New York city has found a home in Phoenix’s Grand Avenue arts district.

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The mural was nearly finished when I stopped by last week. Half a dozen artists were there painting or standing back to Instagram the process – which, really, is also part of spreading a message. In fact, I only heard about the piece because one of the artists from the Frida Kahlo exhibit, Monique Mata, had shared it there.

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The Mission

The inspiration came from the film Who is Dayani Cristal?, a documentary that retraces the steps of the migrant trail in Central America in an effort to identify a body discovered in the Sonoran desert.

This work of helping families find the bodies of missing migrants is exactly what the nonprofit Colibrí Center for Human Rights in Tucson does, as well as providing counseling and advocacy services. Their Missing Migrant Project has the goal of “working to end migrant death and related suffering on the U.S.-Mexico border.”

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Mata Ruda, the New York/New Jersey artist who designed the mural, believes awareness and prevention are key to this. If migrants are invisible to society, their deaths will go unnoticed, the problem unsolved.

The mural is one way to tell their story, make them visible.

While taking a popsicle break, he filled me in on the history of the project – that it been approved then later blocked at 5 different sites from a musuem in New York City to a garage in downtown Phoenix, apparently due to its subject matter. Finally, the Colibrí Center connected them with the spot at La Melgrosa art space.

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The Mural

The mural is also called “Colibrí,” named for Colibrí Center and for the hummingbird, which migrates throughout the Americas. It was created to bring awareness of the often-overlooked migrant community.

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At least 7 artists collaborated on the piece, mostly from Arizona (with one traveling across the state from the Navajo reservation).

 

 

You can see the finished mural outside Creation Station at La Melgosa, 1023 W. Grand Avenue in Phoenix.

Mata Ruda’s hope is that Colibrí remains a permanent piece of public art and that it makes people aware of the migrants who often are invisible to society.

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Like the community it represents, the project has been on a long journey to finally be seen.

Craft Camp is coming!

The awesomeness of our monthly CraftHack meetups could not be contained. One of the organizers, Anne Watson Barber, has planned an entire day for the same kind of learning, crafting, and connecting that happens there. And you’re definitely invited!

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Craft Camp is happening Saturday, August 8 at TechShop Chandler. The morning will be filled with talks and workshops to help artists, makers, and crafters learn how to turn their craft into a passion project or business.

I will be part of a blogging panel at 11:15, along with Kitty Carlisle of the Grammatical Activist and Kelli Donley of AfricanKelli. We’ll be sharing strategies and tools to help you get the word out about your craft blog and build your community.

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There will also be panels on photographing your creations, crafting for charity, and how to sell via ecommerce and retail.

The afternoon will be a time to craft and meet other crafters.

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Registration is $20. Proceeds go to Refugee Focus, an organization that helps refugees in Arizona. Several of our CraftHack-ers volunteer with them, teaching refugee women sewing and other job skills.

I think it’s going to be a really great day! Please tell your artsy-crafty friends and register via the CraftHack Facebook page.

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– More info –